Showing posts with label 5th Minnesota. Show all posts
Showing posts with label 5th Minnesota. Show all posts

Tuesday, December 29, 2020

'Lucky enough': How young officer captured flag at Nashville

A war-time image of 5th Minnesota officer Thomas Parke Gere and the restored
 4th Mississippi flag he captured at the Battle of Nashville. It's in the Mississippi Department
of Archives and History collection.
(CLICK ON IMAGES TO ENLARGE.)

Like this blog on Facebook | Follow me on Twitter

Supremely confident but not cocky, 22-year-old U.S. Army officer Thomas Gere bounds past grim-faced paper-pushers at the War Department, the gloomy brick building a two-minute walk from the White House. The date is Feb. 22, 1865, a bright, chilly day a little more than two months after George "Pap" Thomas' Army of the Cumberland bludgeoned John Bell Hood's tattered Army of Tennessee at Nashville. 

War Department in Washington, near the White House
and across from Lafayette Square, during the Civil War.
(The Miriam and Ira D. Wallach Division
of Art, Prints and Photographs: Photography Collection,
The New York Public Library
.)
Fourteen other bronze-faced U.S. Army soldiers join Gere, a lieutenant and adjutant in the 5th Minnesota. Each is based in Tennessee, at least one had served in the Mexican War, and all but two captured an enemy flag at the Battle of Nashville (Dec. 15-16, 1864). 

Eagerly anticipating the day's event, the soldiers push through a massive, green leather door and file into the War Department's large reception room. Members of Congress, foreign dignitaries, and other guests — roughly 100 in all — stand in a horseshoe formation steps from the men. Displays of upright muskets near the walls give the setting a distinct martial air. 

Conversations abruptly stop when a short, square-shouldered man enters the room. Standing between the two groups, 50-year-old Edwin Stanton — Abraham Lincoln's Secretary of War — reads Special Field Orders No. 38, issued two weeks earlier by Thomas. Go to Washington, the "Sledge of Nashville" ordered, for a special ceremony in honor of your capture of Rebel flags.  
 
War-time image of Edwin Stanton,
Lincoln's Secretary of War.
(Library of Congress)
Then the bearded and bespectacled Stanton reads aloud the names of the soldiers:

Corporal J.W. Parks, 11th Missouri.

Private W. May, 32nd Iowa.

Private G. Stokes, 122nd Illinois ... 

Finally, he summons Gere, the soldier in charge of the detachment from Tennessee. Holding his tattered Battle of Nashville trophy, the young officer eyes his impressive audience.

"Mr. Secretary,” Gere begins, “I have the honor and pleasure to present to you the colors of the 4th Mississippi Infantry, C. S. A.” 

How Gere "captured" the flag was a combination of guts, valor of subordinates ... and a lot of luck.    



An illustration of Fort Ridgley, in Minnesota Territory, as it appeared in 1862.

Thomas Parke Gere's introduction to warfare came as a teenager in Minnesota Territory — Indian country.

In August 1862, Gere temporarily took over command of Fort Ridgley from John S. Marsh, who apparently drowned after he was wounded in battle against Indians. Marsh had left the small outpost with roughly 50 other soldiers from Company B of the 5th Minnesota to investigate an attack at the Lower Sioux Agency, where eastern Sioux murdered white settlers. Barely a quarter of the soldiers returned from the mission.

A circa-1863 photo of Thomas Gere.
"The Indians are killing the settlers and plundering the country," Gere wrote Minnesota Gov. Alexander Ramsey. "Send reinforcements without delay." The second lieutenant in Company B was four months shy of his 20th birthday. 

Mature well beyond his years, Gere wrote a letter weeks later to Marsh's brother regarding the recovery of John's remains. "[The body] had caught in the roots of an old tree" along the bank of the Yellow Medicine River, he told Captain Josiah F. Marsh. "He was recognized by his uniform. The body was in a remarkable state of preservation. His right arm was lying across his breast; the left was behind his body.

"You are aware that Lieutenant [James G.] McGrew and myself have made every effort to have a proper search made long before this but were unsuccessful until now," continued Gere. "It is a great relief to know that he is at last found."

Later that year, companies B, C and D of the 5th Minnesota joined the rest of the regiment in the South. In May 1863, Gere and his comrades were marching and fighting in Mississippi during the Vickburg Campaign. In Nathaniel Banks' 1864 Red River Campaign in Louisiana, the 5th Minnesota guarded supply trains, served as a rear guard, and fought in such godforsaken places as Yellow Bayou, Campti, and Sabine Cross Roads. Later, this Swiss Army knife of a regiment served in Alabama and Arkansas.

"Composed of hardy frontier citizens, long accustomed to hardship and privation, probably no finer organization has ever been sent into the field," a Minnesota newspaper wrote when most of the regiment was furloughed in July 1864.

Five months later, the 5th Minnesota would face its supreme test of the war. 
 
Battle map shows advance of three Union brigades on Dec. 16, 1864. The 5th Minnesota
was in Lucius Hubbard's brigade.  (Battle of Nashville Trust via Guide to Civil War Nashville)


In the cavernous room at the War Department, Gere emphasizes his capture of the 4th Mississippi colors was a team effort. 

"[It] was due, and should be credited, to the valor of the soldiers of [Lucius] Hubbard's Brigade, [John] McArthur's Division of A. J. Smith's detachment," the slender, earnest-looking officer tells the dignitaries. "It was the result of the final charge upon the enemy's works by that invincible command in the second day's battle. Every soldier who participated in that assault shares the credit of the captured colors."

8th Wisconsin Lieutenant
William Sargent
was killed at Nashville on
 Dec. 16, 1864.
This is Sargent's marker
in Janesville, Wis. (Find A Grave)


At about 3:30 p.m. on Dec. 16, 1864 — Day 2 of the battle — three brigades from Smith's division were among Federal forces that attacked Confederate works at Compton Hill (Shy's Hill), the extreme left flank of Hood's army. (See map above.) Under relentless fire, the 5th Minnesota and the rest of Hubbard's brigade advanced through a muddy cornfield toward a line of Confederates behind a stone wall protected by abatis and a ditch.

Still reeling from their Day 1 whipping and overwhelmed by a numerically superior U.S. Army, the exhausted and hungry Rebels fled; hundreds became prisoners. ".. the most complete rout of the enemy that I have ever witnessed," Gere tells his War Department audience.

When he reached the Rebel works on the east side of Granny White Pike, Gere's horse wouldn't cross the abatis and stone wall. While Federals advanced to his right, he spotted the 4th Mississippi flag-bearer fleeing to the Union rear without his colors. Gere couldn't reach the flag, so he ordered the soldier to leap back over the wall and hand him the prized war trophy. Perhaps the officer's waving of a loaded revolver compelled him to deliver it ASAP.

In a short entry in his war-time diary, Gere offered further glimpses of the hellish experience:

"... Fearful charge, hundreds fell, but we captured the works with prisoners by thousands 'Twas a fiery ordeal -- I can not attempt to describe it here. The enemy fled and we pursued; a glorious victory."

The 5th Minnesota suffered dozens of casualties in its deadliest battle of the war. Among those killed were Private Lysias Raymond, the married father of girls 1 and 4 years old; Irish-born Patrick Byrnes, whose mother was a widow; and one of Gere's favorites, William Sargent, a 24-year-old lieutenant in the 8th Wisconsin. "Words can not express our sorrow!" he wrote about the death of the English-born officer, who was shot through the heart.

"The fighting was the heaviest in our front," Gere continued in his diary. "It was indeed a desperate thing to go through that storm of grape, canister and musket balls -- we who got through wonder how we escaped! Our feelings can not be described! But we won the victory!"

"I was lucky enough," added Gere, who was wounded slightly in the right wrist on Day 1, "to get the battle flag of the Fourth Mississippi regiment in the charge."

ABOVE AND BELOW: Present-day view of terrain where 5th Minnesota advanced
on Dec. 16, 1864. It's in a residential area off Granny White Pike in Nashville.




The spotlight doesn't shine only on Gere in Washington. After he tells his Battle of Nashville story, the other soldiers recounts the capture of their flags. Not all the stories teem with extraordinary heroism.

On Dec. 16, Corporal Frank Carr of the 114th Ohio recaptured a Federal cavalry guidon. He got stuck in abatis when his regiment was forced to retreat. "A fellow came up and asked me to surrender," Carr tells Stanton. "I wouldn't do it, but put on my bayonet and was going to stand a fight when the fellow ran and dropped his flag."

A circa-1894 image of Thomas Gere,
who died in 1912. He was buried in
Arlington National Cemetery.
Also on Day 2, Private Wilbur F. Moore captured the colors from a Confederate battery. "The color-bearer was in a small line of rebels," he recalls, "and was trying to climb the hills. I shed my knapsack to go out for him, and captured him and a captain of the same regiment, too."

Each soldier at the ceremony hands his trophy to a Mexican War veteran, who places the flag atop the display of muskets. "... when the last silken standard had been placed there," according to a post-war account, "the effect was brilliant and thrilling. The varied hues of the rainbow lighted up the sombre apartment in a blaze of color."

Clearly impressed with the soldiers, Stanton shakes each man's hand. Then he briefly expresses appreciation.

“In behalf of the Government of the United States I return to you its thanks," he tells the soldiers, "and the thanks of the people, for your noble gallantry. Accept also the gratitude of the department for yourselves and companions in arms."

The government grants each soldier a 30-day furlough and advances a month's pay. They later receive another award from a grateful government: a Medal of Honor. 

Before they depart the War Department, Gere and his Tennessee detachment salute Stanton. The man who managed the U.S. war machine waves back ... and weeps.  
 

— Have something to add (or correct) in this post? E-mail me here.


SOURCES AND NOTES
  • Chatfield (Minn.) Democrat, Oct. 4, 1862
  • Chicago Tribune, Aug. 25, 1862
  • Janesville (Wis.) Weekly Gazette, Dec. 22, 186.
  • New York Daily Herald, Feb. 23, 1865
  • The Bravest 500 of '61, Their Noble Deeds Described by Themselves, compiled by Theo F. Rodenbough, New York: G.W. Dillingham Publishers, 1891
  • The Goodhue Volunteer, Red Wing, Minn., July 6, 1864
--Thomas Parke Gere's war-time diary (typewritten copy), Minnesota Historical Society, (Battle of Nashville text courtesy Tim Bode, 5th Minnesota Research Group on Facebook.)

BATTLE OF NASHVILLE MEDAL OF HONOR RECIPIENTS

A post-war image of Medal of Honor 
recipient Otis W. Smith and an 
unidentfied woman. He captured a 6th Florida flag
at Nashville.  (Find A Grave)


(Click on links for Find A Grave info)

Lieutenant Thomas Parke Gere, 5th Minnesota
Lieutenant Charles McCleary, 72nd Ohio
Lieutenant Oliver Colwell, 95th Ohio
Lieutenant William T. Simmons, 11th Missouri
Sergeant William Garrett, 41st Ohio
Corporal James W. Parks, 11th Missouri
Corporal Luther P. Kaltenbach, 12th Iowa
Corporal George W. Welch, 11th Missouri 
Corporal Franklin Carr, 124th Ohio
Corporal George Stokes, 122nd Illinois 
Private Otis W. Smith, 95th Ohio
Private William C. May, 32nd Iowa *
Private Andrew Jackson Sloan, 12th Iowa
Private Wilbur F. Moore, 117th Illinois
Private Irving Holcomb, 41st Ohio
Corporal Harrison Collins, 1st Tenn.Cavalry **

* A 7th Minnesota captain disputed the capture of the flag by May. See post on Dan Masters' Civil War Chronicles blog.
** Collins, who was present at the ceremony in Washington on Feb. 22, 1864, received the Medal of Honor for capturing a flag on Christmas Eve 1864 at Richland Creek, Tenn., during Hood's retreat. 

— Sergeant Alfred Ransbottom of the 97th Ohio attended the Washington ceremony. Ransbottom was honored for "extraordinary heroism" on Nov. 30, 1864, at the Battle of Franklin, where he captured an enemy flag.

Close-up of Medal of Honor awarded to Wilbur F. Moore of the 117th Illinois.
(Library of Congress)

Sunday, December 20, 2020

Where are Howard Pyle's 'lost' Nashville battlefield photos?

A cropped enlargement of Howard Pyle's painting shows the fury of battle.
Pyle's 1906 painting, "The Battle of Nashville," shows Minnesota troops fighting near
 Granny White Pike. (READ MORE ABOUT PAINTING.)
A comparable view of Pyle's vantage point, now in an upscale residential area. Shy's Hill
 looms in the background. Perhaps this is where Pyle shot his "large photographs."
(CLICK ON IMAGES TO ENLARGE.)

Like this blog on Facebook | Follow me on Twitter

Before Howard Pyle created “The Battle of Nashville,” the famous painting showing the attack of Minnesota troops near Shy’s Hill, the renowned artist/illustrator did his homework. He studied historical accounts of the battle, interviewed veterans, examined a battle map, and even took several “large photographs” of the scene near Granny White Pike, where the Midwesterners fought. 

A Minnesota veteran said Pyle's depiction made Federal
soldiers look "bloodthirsty and fierce." This is
a cropped enlargement of Pyle's painting.
Note the Yankee wearing his kepi backward 
 at bottom right.
Oh, my, how we’d love to see those 100-plus-year-old photographs today.

What was open ground early in the 20th century, when Pyle painted the scene, is now an upscale residential area. The cornfield where Minnesota troops charged on Dec. 16, 1864, during the Federals' rout of the Army of Tennessee is now occupied in part by a recently constructed private school. 

At least two veterans weren't pleased with Pyle’s painting, which was  displayed at the State Capitol building in St. Paul, Minn., in the fall of 1906 and remains there today. It has no historic value, Thomas G. Carter, an officer in the 7th Minnesota, complained to the Minneapolis Journal. 

Ouch!

Carter was offended that the painting only showed the attack by two regiments of Minnesota troops – the 5th and 9th infantry, II Brigade troops commanded by future Minnesota governor Lucius Hubbard. The 7th Minnesota, III Brigade troops under William R. Marshall, and the 10th regiment in the I Brigade, commanded by William L. McMillen, were not depicted. (See battle map below.)

Howard Pyle
“Captain Carter, after inspecting the painting, says it makes the men look bloodthirsty and fierce,” the Minnesota Journal reported on Nov. 6, 1906, “but it is nothing more than a picture of the advance of … Hubbard’s brigade.” 

“Battle Picture Bad Historically,” read the headline in the newspaper. “Seventh Regiment Out in the Cold,” read a headline on a follow-up story in the Journal two weeks later.

Pyle, who died in 1911, said he couldn’t show all the Minnesota regiments advancing because their battle line was too long for a 6-by-8-foot painting. Hubbard reportedly was also disappointed the painting didn’t show all four Minnesota regiments. 

"It is possible that the Tenth is represented in the painting,” Carter groused about the unit that attacked closer to Shy’s Hill, “but if so the smoke hides it. In reality, the smoke hides it, mostly. In reality, there is too much smoke.” Carter also said Pyle got the topography wrong. 

Perhaps another look at those photos Pyle took in 1906 – if they still exist -- might bring some clarity to this footnote in history.  

Battle map shows advance of three Union brigades on Dec. 16, 1864.
(Battle of Nashville Trust via Guide to Civil War Nashville)
The Union II Brigade, which included the 5th and 9th Minnesota, advanced across
 present-day Harding Place Road. Historic Granny White Pike is at left.
A view of Shy's Hill looking roughly west from the parking lot of a modern church near
Granny White Pike.
A historical marker along Granny White Pike. The II Brigade advanced on ground
 to the right of the pike. It's a residential neighborhood today.
A historical marker and a view of the antebellum, dry-stack wall on Granny White Pike.

-- Have something to add (or correct) in this post? E-mail me here.


SOURCES

 --The Minneapolis Journal, Oct. 9, Nov 6, Nov. 19, 1906.

Wednesday, December 16, 2020

An epic painting, pain, and destruction of Nashville battlefield

Howard Pyle's famous painting of the charge of the 5th and 9th Minnesota at Nashville
 on Dec. 16, 1864. The mural hangs in the Governor's Reception Room
 of the Minnesota State Capitol building in St. Paul. | READ MORE.
A present-day view from Harding Place Road shows a view similar to Pyle's
early 20th-century vantage point. Shy's Hill looms in the background.
(CLICK ON IMAGE TO ENLARGE.)

Like this blog on Facebook | Follow me on Twitter

Like Winslow Homer's painting of fighting in the Wilderness, Howard Pyle's searing depiction of the Dec. 16, 1864, charge of Minnesota soldiers at Nashville mesmerizes us.

With Shy's Hill -- the left anchor of John Bell Hood's Army of Tennessee -- partially obscured by battle smoke, determined Midwesterners lean into the fighting near Granny White Pike in countryside south of Nashville. In the foreground, Pyle shows a U.S. Army soldier, his forehead wrapped in a blood-soaked, white cloth, approaching a patch of ice-covered ground amidst trampled cornstalks. At least two wounded Federals flail backward in the mass of frenzied soldiers while the regiments' tattered colors flap in a storm of Confederate lead.   

Artist Howard Pyle, who died in 1911,
 painted the Battle of Nashville 
scene in 1906.
What drama in this 1906 painting!

In the charge of the 5th and 9th Minnesota through a muddy cornfield, Colonel Lucius F. Hubbard, the 28-year-old, New York-born commander of the II Brigade, suffered a bullet wound in the neck and had a horse shot out from under him and another wounded. The colors of the 5th Minnesota were shot down four times.  

"My line of advance lay across a corn-field, through every foot of which the men were exposed to a direct fire from the line of works in front and a cross-fire on either flank," wrote Hubbard in his after-action report. "My line was no sooner in motion than it was met by a most withering volley, and as the regiments struggled on through the muddy field, softened by the recent rain, their ranks were sadly decimated by the continuous fire they encountered." (Hubbard was depicted by Pyle astride his horse, at the far right of the painting.)

In all, Minnesota's four regiments at Nashville suffered nearly 90 killed on Dec. 15-16, 1864 -- the deadliest battle of the war for the state.

Pyle, a gifted artist who died in 1911, probably would be shocked if he were to walk the hallowed ground today. Heavily trafficked Harding Place Road slices through the heart of the battlefield he depicted. Beside busy Granny White Pike, a historical marker notes the fighting, but few stop to read it. The cornfield through which the Minnesotans charged in 1864, well, that's a residential neighborhood that includes a recently constructed private school. Nearby, a mansion about the size of a small college dorm nears completion.

Even heartrate-raising Shy's Hill, where 20th Tennessee Colonel Bill Shy was killed by a point-blank headshot, was long ago covered with houses. Cloaked in leaves during a recent visit, a small section of the hill is preserved. The Battle of Nashville Trust will hold a wreath-laying ceremony there on the 156th anniversary of the fighting. Perhaps there will be a whiskey-fueled toast or two, in honor of the men who fought there.

It's hard to wrap your head around this place. How could a neighborhood be built atop hallowed ground, site of so much pain and suffering on both sides? Didn't they know about the Civil War stories that lurk here?

     Battle of Nashville Trust president Jim Kay explains the charge of the Minnesotans. 

   EXPLORE GOOGLE STREET VIEW: The 5th and 9th Minnesota, part of the II Brigade, 
              attacked from right to left during the Battle of Nashville on Dec. 16, 1864.



1880s view of Shy's Hill beyond the dry-stack wall. (Battle of Nashville Trust)

In the epic charge of Minnesotans, German-born Nicholas Augelsberg, a private in his early 20s, was mortally wounded. His 57-year-old father, Mathias, filed for a dependent's pension in 1866. Mr. Augelsberg was approved to receive the standard $8-a-month pension -- a pittance for his family's sacrifice. 

Irish-born Hanley Bartley and German-born John Battles, barely in the Union Army a month, were killed here, too. Were the 5th Minnesota privates wounded near the $1 million-plus dollar house on Granny White Pike, perhaps at the end of the long driveway? 

Lucius Hubbard in 1857. At 
Nashville, he commanded 
the II Brigade, which
consisted of the 5th and 9th
Minnesota, 8th Wisconsin,
 11th Missouri and an
 Iowa light artillery battery.
Irish-born Patrick Byrnes, wounded at Corinth, Miss., in October 1862, was also among the fallen. His mother, Mary White, filed for a pension after his death -- she got $8 a month, too. Her first husband died in 1855; her second abandoned her, fleeing to Missouri. Perhaps Patrick was killed near the present-day McArthur Ridge Court cul-de-sac, where the trees burst with white flowers every spring.

Did Private Lysias Raymond of Company I of the 5th Minnesota die somewhere in the cornfield-turned-tony-21st-century neighborhood? Or was he killed on the pike, choked by traffic on a recent Sunday? Lysias was the married father of two girls -- Agnes, 4, and Alvira, 1. On June 29, 1856, he married Sarah Ann McNutt in Waukon, Iowa, a town near the Minnesota border. 

First Sergeant Samuel H. Horton of the 9th Minnesota was two paces from John Huston on the skirmish line when a Minie ball sliced into the corporal's hip. "I heard him call me," Horton recalled, "and in about five to 10 minutes from the time I heard his call I went to him [and] found him lying on his face. [I] turned him over and found him dead. Just at this time the line was driven back and the body of John Huston was left on the ground." Did the married father of two young girls lay near the four-way stoplight at the intersection of Granny White and Tyne Boulevard?

I also wonder about that courageous Lucius Hubbard, who became Minnesota governor in 1882. Was he wounded by Confederate lead near the porch of that ranch house across Harding Place Road? "Large bodies of the enemy surrendered in the works," wrote the former newspaper editor after the battle. Maybe the Johnny Rebs waved a white flag near a recently completed modern mansion, across the pike from a war-time, dry-stack wall.

So many stories here. So many lives lost. So much blood spilled on both sides. A painting tells their story. Try wrapping your head around that.  

Marriage certificate for Lysias Raymond, who was killed at Nashville on Dec. 16, 1864
(National Archives via fold3.com)

-- Have something to add, correct? E-mail me at jbankstx@comcast.net


SOURCES

-- Nicholas Augelsberg, Patrick Byrnes, John Huston, Lysias Raymond pension files, National Archives & Records Service, Washington D.C. via fold3.com.